Archive for May, 2011

We will be at Showtech 2011!

 Visual act invites you to
 
SHOWTECH 2011 in Berlin Exhibition Centre, Germany
 
Hall 2, Stand number B67
 
7th – 9th June 2011 
 

Come and discuss solutions for:

  • Horizontal stage motion – our unique wagon systems can move anything on repertory stages or for a specific show.

New at Showtech:  Our air-lift cassette ensures even pressure on the floor and allows for simple redundant solutions

  • 3D flying – from simple lifting to performer flying, camera motion and filmstunts. Simple configuration of 3D objects with any number of supporting lines.  We have 60 meter high speed winches in stock – for rental and purchase.
     
  • Stage machinery and control – the Visual act Stage Control System is truely scaleable and can operate anything from a single chain hoist to large numbers of high speed flybars to large stage elevators.
     
  • Scenery and effectsImagine no limits – our engineers and workshops can help to build almost anything for your show or event.

 
If you are interested in discussing a specific need or project, contact marketing@visualact.se for an appointment.

Please do not hesitate to contact us if you require further information or visit our website www.visualact.se

Floor plan Hall 2 >>

Showtech official site >>

[back to the top]


The king is back! On TOUR!

 

The show “Elvis” was an amazing success when it hit the stage in Hudiksvall. It followed up quickly with 22 sold out performances at Circus in Stockholm. The performance became a box office success of great proportions, thanks to the actors’ ability to elicit joy, warmth, spontaneity and enthusiasm.

Since we know that the “Glada Hudik”-team work with the attitude that only the best will do, it is especially pleasing to have been involved to create the set and build the décor to the ongoing Sweden tour.

The challenge was to make the set design to feel big enough to play at Ericsson Globe in Stockholm and at the same time small enough to be on a minor stage making room for actors, Elvis dance ensemble and, not to forget, the band De Soto, The Impala Horns & Graceland voices. 

Construction at the Visual act workshop. Photo by Rickard Loman, Lomanfilm.

Construction at the Visual act workshop. Photo by Rickard Loman, Lomanfilm.

Installation on site in Visby, the first town on the tour list. Photo by Rickard Loman, Lomanfilm.

Installation on site in Visby, the first town on the tour list. Photo by Rickard Loman, Lomanfilm.

Installation on site in Visby, the first town on the tour list. Photo by Rickard Loman, Lomanfilm.

Installation on site in Visby, the first town on the tour list. Photo by Rickard Loman, Lomanfilm.

If you want to know how we did it, we recommend you to quickly buy a ticket when “Elvis” takes over your city. For you, who live outside the Swedish border can only hope that the show will go on a World tour…

You have seen them on Cirkus in Stockholm, Kulturkalaset in Göteborg and BAM in New York. There is a TV documentary about them and recently the film about the groups story “Hur många lingon finns det I världen” had world premiere.  It is all about “Glada Hudik >>

Articles about Glada Hudik:

Turnetåget rullade igång i Visby (only in Swedish) >>

[back to the top]


“High Five!” an article about the Opening Ceremony for the Asian Winter Games 2011

High Five! 

The Visual act Team has been working very hard in Kazakhstan recently for the opening ceremony of the seventh Asian Games Winter Olympics. 

On the 30th of January in Astana the opening ceremony for the Asian games took place and we were there with all of our equipment. We had thirty-two winches, five Visual act Advanced Wagons, one hybrid stage wagon and three Visual act Analog Wagon track systems.  

The ceremony took place in a football stadium on the outskirts of Astana during most of January. It was bloody cold there, but thankfully we were all issued with big warm jackets from Visual act especially for this trip. The jackets were great, but when the temperatures began heading towards minus forty, it was time to get inside and do some work.  

In the three hour ceremony we flew two giant horses along two 140m tracks that were arranged in arcs along the long sides of the arena. The horses were enormous and had wings that flapped and also they were covered in flashy LED’s. The horse sculptures were very detailed (both horses were male) and they flew very nicely along our side tracks. The motion was provided from a Visual act Analog Wagon style system that had the drive motors pushing against the hanging track and being operated by remote control from stage level.  

The side tracks were used again to transport a ‘Sun’ on the VIP side of the stadium and a ‘Moon’ on the other side of the stadium (trash side). We had a lot of fun with the sun and the moon in rehearsals because the original idea included acrobats ‘performing’ sunbeams on the sun and the moon. We found out that it just wasn’t workable to hang people upside-down from the underside of the sun, so we came up with an expurgated version of the original idea that was much safer with just three happy sunbeams. 

The sun rehearsel before the "three happy sunbeams"-decision.

The sun rehearsel before the "three happy sunbeams"-decision. Photo by Andrew Colhoun, Visual act AB.

A bird’s eye view of the stage wagons before they were dressed. You can also see the curve of the side track.

A bird’s eye view of the stage wagons before they were dressed. You can also see the curve of the side track. Photo by Andrew Colhoun, Visual act AB.

In the centre of the stadium roof was a 17m diameter diaphragm that opened at various intervals during the show to reveal different large objects. We had a circular truss which was mounted to the outside of this diaphragm which was used to fly the Kazakhstan national symbol, the eagle. The truss had another Analog Wagon variant that had the bird suspended from wires. We were able to fly the bird up, down and along the 18m track. The effect was to have the eagle soaring around a character on stage and the que was met with a great response from the audience in the stadium. 

Here is some of the impressive objects that we moved around.

Here is some of the impressive objects that we moved around. Photo by Andrew Colhoun, Visual act AB.

We had a Visual act  Advanced Wagon that was ‘dressed’ to look like a boat and was used during a storm sequence in the show where the boat sailed a very rough sea. They even had rain inside the arena for this effect coming from the same truss as the side tracks. This rain effect was great, but during rehearsals, they would activate the water without giving any warning which was always quite funny as long as it wasn’t you who got drenched. 

Four smaller Advanced Wagons were used to provide four pieces of a large tree that was placed in the centre of the stage during a very tasteful and well choreographed piece of acrobatic flying. 

The view from the ceiling.

The view from the ceiling. Photo by Andrew Colhoun, Visual act AB.

The thirty-two Visual act Winches were used as 16 2d objects, and to fly eight large projection sheets into the centre of the stage for one of the cues and again to fly an actor onto the stage on a flying carpet. All of the winches were mounted in the ceiling. (See photo on the side) 

Yes, it was a very rickety plank that we had to walk on to make repairs or adjustments. It’s a good job that we tested everything before it left the workshop. 

The show was a big success and was shown live in many countries of Asia, but nobody I know has seen it. However, thanks to the wonder of computer technology you can re-live the fantastic show experience on Youtube. 

written by Andrew “Andy” Colhoun, Visual act Operator. 

 

 

 

A short film of the amazing effects made by Visual act at the Asian Games >> 

Related articles about the “Opening Ceremony of the Asian Winter Games 2011” >>

[back to the top]


  • Facebook

    We are now on facebook! >>

  • Youtube

    Check out Visual act youtube channel! >>

  • Archive

    Copyright © 2010 Visual act Scandinavia AB. All rights reserved